Dorico 3.54/12/2023 ![]() You can drag and drop expression maps from the Explorer or Finder into the Expression Map editor to import them.Experiment with this curve and the minimum and maximum velocity and dynamic levels to get something You can reduce the value to within the range 1-1.5 to get a more linear mapping but this means that ppp and fff willīe closer together and will use a smaller range of the samples. Plug-in is used for dynamics in the range ppp-fff. ![]() The default Dorico value of 2.5 is chosen to ensure that most of the dynamic range of the Starting point is to add the short note articulation and set the condition to ‘Note Length Dynamics. A note length of ‘medium’ is around the length of a quarter note at 81-159bpm (375ms-750ms), ‘short’ is an eighth note, ‘long’ a half note, etc. If a short articulation is available (sometimes the staccato articulation can be used for this) then you can set Expression Map Conditions so that a different switch is chosenĪccording to note length. Ensure that your test project has runs of very short notes at different dynamic levels so you can test this. The default long notes often have a slower attack which means that they can be too quiet on runs of short or fast notes, especially at lowerĭynamic levels. Many sample libraries provide separate patches for short notes, Once you’ve found a good candidate for the dynamic levels, the next thing is to deal with short vs long notes. In many libraries the short articulations respond to velocity, so you may need to use different settings. That responds to dynamics in the same way. Next, switch to one of the other articulations, eg a short one such as staccato, and check to see if Try reducing the range of the secondary controller, eg to 64-127. If you’re using a secondary controller, play the test project and if the ppp notes are too quiet, try increasing the minimum dynamic value. Some libraries recommend using a secondary controller, typically velocity + CC1, velocity+CC11 or CC1+CC11. If everything plays at the same volume then try switching to CC1. ![]() If it’s not clear from the library documentation which dynamic controllers/velocity to use, start with note velocity and play the sample project back. In the Endpoint Setup Dialog, ensure the expression map Set the primary dynamic as appropriate for the library. If it’s not immediately obvious which one this is then sometimes it may be labelled as ‘sustain’ or ‘long’.Ĭreate a new expression map and add a rule for natural. Load the plug-in and select the most appropriateĭefault articulation for ‘natural’. Modulation wheel (CC1), expression (CC11) and sometimes some other controllers.Ĭreate a new project with a variety of note lengths repeated for different dynamic levels: fff, f, p, ppp. Libraries for non-orchestral instrumentsĪnd keyboard instruments tend to use note velocity, whereas libraries for orchestral and jazz instruments often use a mix of note velocity, Consult the sample library manual to find the best mappings to use.īear in mind that different articulations within the same library may use different mappings. The first priority is to get the correct mappings for dynamics. If you have a ‘combinatorial’ EM that has every combination of techniques in it (eg for VSL libraries) then consider whether the Add-on Switch method could be used to represent it more effectively. I was able to create the set of most Spitfire BBC SO keyswitches in under an hour. In many cases it can be much quicker to create a new one. ![]() Dorico applies some heuristics, but you always need to check it’s done what you expect. There’s no standard naming convention for keyswitches, especially if you have ‘longs’, ‘shorts’, ‘sustains’, etc. The previous EM thread can be found hereĪ note on importing Cubase Expression Maps: this is possible, but it doesn’t always give good results. This thread will be locked to keep it concise and useful as a reference. We’ll try to keep this post updated with a curated list of user-contributed Expression Maps too. I’ll provide some sample EMs which are not complete, but should show you how to access some of the key features of each library. Bear in mind that there can be many different ways of creating an EM for any specific library depending on your requirements and personal preferences. I’ve worked through the creation of Expression Maps for a few popular libraries and I’ll describe some of the strategies for working with these libraries. Some of the following may also be applicable to earlier versions of Dorico, but 3.5 has a number of new Expression Map features that won’t work in earlier versions. In this post I’ll give an overview of the process of creating Expression Maps for Dorico 3.5.
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